‘In Transition 2.0′ contains some stunning animated sequences, which bring certain sections of the film to life, and make explaining some complex issues such as peak oil and climate change, and the economic ‘leaky bucket’ idea, far more easily understandable. They are the work of filmmaker and animator Emilio Mula. He also painstakingly created the opening sequence by building up the letters of the film’s name in herbs and spices on his kitchen table. I asked him 5 quick questions about his involvement in the film.
It’s less than a week to go until ‘In Transition 2.0′ is previewed in each of the places whose stories appear in the film. For example, it will be previewed in a fire station in Moss Side in Manchester, a community centre in Lyttelton in New Zealand that was one of only a few buildings there to survive the earthquake (their screening starts at 9am), a Hindu temple in Tooting in London, a ‘Cinema Paradiso’ in a village in rural India, and in a village hall in Japan (see here for the full list of previews). I caught up with producer Emma Goude to ask her 5 quick questions about the film.
Here’s a great ‘The Transition Companion’ widget created by Green Books, which offers an immersion into the book, complete with audio bits and all sorts. It’s easily embeddable, so if you have anywhere on-line it could go, that would be wonderful. Click on it and it blows up into a flip-throughable selection from the book. Thanks to Stacey at Green Books for creating it…
Today I’d like to share a map with you (click on it and it will magically fill your screen), and I’m hugely grateful to Geri Smyth for giving me this. It is a map of the town of Guildford (or Guldeford as it was then) in 1793. Regular readers will know I love a good map, and I have spent a fair while poring over this one. There are a couple of things I love about it. Firstly, it is the most amazing piece of draughtsmanship. It is a thing of extraordinary beauty in a way that Googlemaps can only dream of. The way its laid out, the calligraphy, the attention to detail, are beautiful in a way very few people could recreate today. But what is so extraordinary, upon closer inspection, is how it captures what it looks like when food grows everywhere. Think of it, if you like, as Incredible Edible Guildford, circa. 1739.
What do you do when you are the heir to the Proctor and Gamble fortune and you have spent years surrounding yourself with new agey thinking and conspiracy theories? You make a film like ‘Thrive‘, the latest conspiracy theory movie that is popping up all over the place. I’ve lost count of the number of people who have asked me “have you seen ‘Thrive’?” Well I have now, and, to be frank, it’s dangerous tosh which deserves little other than our derision. It is also a very useful opportunity to look at a worldview which, according to Georgia Kelly writing at Huffington Post, masks “a reactionary, libertarian political agenda that stands in jarring contrast with the soothing tone of the presentation”.
How might our response to peak oil and climate change look more like a party than a protest march? This site explores the emerging transition model in its many manifestations
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